GERMAN ACADEMY OF SCIENTIFIC MUSIC THERAPY
GERMAN ACADEMY OF SCIENTIFIC MUSIC THERAPY
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO ACADEMIC LIFE
   Faculties:   Music & Musicology · Philosophy · Medical Sciences · Education · Pythagoras · Consciousness · Humanities · Natural Science · The Dragon · The Veda · Culture · Opera & Arts

 

Home

Site Map

Basic Law of the Academy

The Cosmic
Education Programm

Introduction to the University of the Future

Academic Institutes

Peter Hübner
Developer of the University

 

Faculty of
MUSIC & MUSICOLOGY
Theoretical Fundamentals

UNIVERSAL
MUSIC THEORY 1

VII.
SPACE AND TIME
IN MUSIC

The Concept of Space
in Music

The Two Ways of Experiencing Space

Space-Experience in
the Microcosm of Music

Space-Time Integration
in Music

Space-Time Fusion
through the Integration
of the Musical Spaces

The Integrated Play of
Time and Space

The Potential of the
Musician

The Relationship of
Rhythm and Tonality

Field of Cognition -
Enlivened Silence

The Core of Practising
the Art of Music

Conventional and
Modern Mechanisms
of Musical Performance

 

 

Astronomy of Mind EQ x IQ

Hall of Harmony

International Experts

Educational Program
Health

Scientific Research

International Media

International Congresses

Membership

Application to the University

 

 






UNIVERSAL MUSIC THEORY 1
The Practical Fundamentals of Universal Creativity
  PART   VII            
  THE PROCESS OF CREATING MUSIC            
         
 
The Two Ways of Experiencing Space


   
 
Space-awareness and space-feeling are components of knowledge which are experienced from the level of the mind and which are therefore not at all directly related to any aspect of the environment.

 
Space-Awareness and Space-Feeling as Components of Knowledge
 
 
The distance of things separated in time or space corresponds to the phenomenon of potential energy in nature and creates the space-awareness of the understanding. The change of the distance between things separated in time or space corresponds to the phenomenon of kinetic energy in nature; it predominantly stimulates the feeling, and from the feeling level it generates the experience of space through the senses.

 
Potential and Kinetic Energy in the Musical Sound-Space
 
 
Thus, we distinguish two kinds of spatial experience: the “static” experience of space through the analytical understanding and the “dynamic” experience of space through the synthesizing feeling.
When listening to music, these two phenomena of spatial experience always appear together and in mutual dependence; sometimes, the one dominates, and sometimes the other.

 
“Static” and “Dynamic” Experience of Space
 
 
The interplay of feeling and understanding generated in this process is the sphere of influence of music.

 
The Musical Interplay of Feeling and Understanding
 
     
     
                                 
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
                                     
                                     
             
     
.